Vorlage:1963 Sekundärbibliographie Liturgie

Zu: Liturgiewissenschaft/Liturgische Bewegung

• [1963-000] Balthasar Fischer: Liturgische Bildung als Aufgabe des Religionslehrers an der höheren Schule, in: Religionsunterricht an höheren Schulen, Düsseldorf, 6, 1963, 1, S. 1-11, zu Romano Guardini S. 2, 5 und 7 [Gerner 111] - [Artikel] - [noch nicht online]
• [1963-000] [Englisch] Third German Liturgical Congress, in: Herder Correspondence. A monthly review for the Christian World, 1, 1963, August, S. 234-237 [neu aufgenommen] - [Artikel] - https://books.google.de/books?id=oVVEAQAAIAAJ
• [1963-000] Theodor Maas-Ewerd: Das Christusbild der Eucharistiefeier, in: Bibel und Liturgie, Klosterneuburg, 37, 1963/64, 1, S. 37-49, zu Romano Guardini S. 37, 39-41 und 45f. [Gerner 105] - [Artikel] - [noch nicht online]
• [1963-000] Stephan Wisse: Das religiöses Symbol. Versuch einer Wesensdeutung, Essen, 1963, zu Romano Guardini S. XVI, 46, 143, 164, 180, 218 und 279 [Gerner 119] - [Monographie] - [noch nicht online]

Nachrufe Kunibert Mohlberg

• [1963-000] Gestorben: Kunibert Mohlberg, in: Der Spiegel, 1963, 23 (6. Juni 1963), zu Romano Guardini: „Benediktinerpater und Professor für Liturgiewissenschaft am Päpstlichen Archäologischen Institut in Rom, der zusammen mit Romano Guardini die Liturgische Bewegung in Deutschland begründet hatte“ [neu aufgenommen] - [Artikel] - https://www.spiegel.de/spiegel/print/d-45143813.html
• [1963-000] Virgil E. Fiala: P. Kunibert Mohlberg und P. Petrus Siffrin gestorben, in: Erbe und Auftrag. Benediktinische Monatsschrift, Beuron, 39, 1963, S. 336-339 [Gerner 293] - [Artikel] - https://books.google.de/books?id=ks1DAAAAIAAJ;
• [1963-000] Anton Hänggi: P. Leo Cunibert Mohlberg O.S.B. (1878-1963), in: Zeitschrift für schweizerische Kirchengeschichte/Revue d'histoire ecclésiastique suisse, 57, 1963, S. 254-256 [neu aufgenommen] - [Artikel] - https://www.e-periodica.ch/cntmng?pid=zfk-001:1963:57::390 ; zu Romano Guardini:
  • S. 255: "Zusammen mit andern bekannten Liturgiewissenschaftlern, wie Anton Baumstark (+ 1948), Edmund Bishop (+ 1917), Adolf Rücker, Franz Josef Dölger (+ 1940), und besonders mit dem eng befreundeten Romano Guardini, wurde Mohlberg einer der Pioniere der aul wissenschaftlicher Erforschung der Kultgeschichte fundierten Liturgieerneuerung."

Zu: Christliche Kunst und Architektur

• [1963-000] [Englisch] Frédéric Debuyst: Church Architecture and Christian Celebration , in: Liturgical Arts, 32, 1963, S. 2-9 [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=HM1TAAAAMAAJ;
  • [1963-000] [Englisch] unter dem Titel: Contemporary Church Architecture, auch in: Arts & Architecture, 80, 1963, S. 26 ff. [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=vC4NAQAAIAAJ; zu Romano Guardini
  • 1963, S. 3/1963, S. 27: „As early as 1930, the German pioneers of the liturgical movement, and in particular Romano Guardini and the architect Rudolf Schwarz prepared the way for our advances today with an analysis of the liturgical space which remains one of the keenest ever performed. Examples of church architecture resulting from their analysis lead us to believe that in each phase of the evolution the only good churches were those which disclosed a clear, simple, uncompromising expression of both the liturgical and the architectural movements of their time. No wonder that good churches in this genre were relatively few: good modern architecture is never common, and genuine liturgical planning is always very difficult.“ [S. 3: außerdem Abbildung mit Bildunterschrift: „Great hall in castle Rothenfels, Germany. The liturgical arrangement, by Rudolf Schwarz and Romano Guardini, groups three areas of seats around the provisional altar. 1928. Destroyed in World War II.“
• [1963-000] [Englisch] Maurice Lavanoux: Editor´s Diary: XLVII (New York, June 20, 1963 ...), in: Liturgical Arts, 31, 1962/63, S. 121 [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=HM1TAAAAMAAJ
  • S. 121: „I thought of the great step forward in these matters since the 1930s when most of us were concerned with questions of peripheral importance. We sought solutions from the outside in; today, thanks to the deepening influence of writers like Guardini, Jungman, Pius Parsch, Dom Beauduin, Dom Virgil Michel OSB, Gerald Ellard, s J, Dom Godfrey Diekmann, OSB, Father H. A. Reinhold, and many others; to the weeks of the Liturgical Conference (and can I add LITURGICAL ARTS?) we now realize that the planning of our new churches and the evolution of the arts at the service of the Church stem from the primacy of the liturgy.“
• [1963-000] [Englisch] Maurice Lavanoux: Editor´s Diary: XLVII (Mexico City and Cuernavaca, September 13-17, 1963 ...), in: Liturgical Arts, 32, 1963/64, November, S. 29 [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=HM1TAAAAMAAJ
  • S. 29: „All this reminded me of the years of my last fling as a draftsman, 1927-1931 – when I read Cardinal Shuster´s The Sacramentary; also the books by Dom Lambert Beauduin OSB and Father Romano Guardini. The majority of the churches then built were planned in such a way that few seemed aware of what has since been called "the primacy of the liturgy ".“
• [1963-000] [Englisch] Raymond F. Pavia: Modern Church Building Problems of Sacred Space, in: Liturgical Arts, 31, 1963, 3, S. 74-76 [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=HM1TAAAAMAAJ
  • S. 74: „Perhaps Romano Guardini´s little book Sacred Signs[3 ROMANO GUARDINI, Sacred Signs. Pio Decimo Press, Saint Louis, 1956.]] can serve as a means of resensitizing our apprehension of things so that we may respond to what the object evokes rather than being arrested by the „thingness“ of the object. MODERN times came about as a result of strenuous and revolutionary activity.“
  • S. 75: „In the twenties Romano Guardini and Rudolf schwarz were part of a group that made a specific study of the Church´s liturgy and ist expression in building. The modern German churches testify the value of these studies.“
• [1963-000] Rudolf Schwarz: Denken und Bauen. Schriften und Bauwerke, 1963, zu Romano Guardini Literaturverzeichnis S. 112 und 115 [neu aufgenommen] - [Monographie] - https://books.google.de/books?id=-dpPAAAAMAAJ

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Rezensionen zu: Vom Geist der Liturgie (1918)

• [1963-000] [Englisch] Nathan A. Scott: Society and the Self in Recent American Literature, in: Union Seminary Quarterly Review, 19, 1963 (Mai 1963), S. 377 f. [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=aOEWAAAAIAAJ;
  • [1964-000a] auch in: The Search for Identity: Essays on the American Character, hrsg. von Roger Lincoln Shinn im Auftrag des Jewish Theological Seminary of America. Institute for Religious and Social Studies, 1964, S. 100 f. [neu aufgenommen] – [Artikel] - https://books.google.de/books?id=8H52AAAAMAAJ; zu Romano Guardini:
  • 1963, S. 377 f./1964, S. 100 f.: „In his famous little book, The Spirit of the Liturgy, there is a chapter in which Romano Guardini asks us to think of the Church's liturgy as a kind of play, as a kind of sacred game. He is of course aware that this is a perspective that will be offensive to those grave and earnest rationalists in the Church for whom every aspect of its life must have a moral purpose: they will be quick to suppose that to view the liturgy in this way is to reduce it to a mere theatrical trifle, and they will therefore want to insist that the Church's liturgical actions are channels of grace and serve the indispensable purpose of the soul's renewal and edification. But, in his sprightly wisdom, Msgr. Guardini denies that the liturgy is informed by "the austere guidance of the sense of purpose."[1 Romano Guardini, The Spirit of the Liturgy, trans. Ada Lane, Sheed and Ward, 1937, p. 92.] The prayers, the gestures, the garments, the colors, the holy vessels, the complicated arrangements of the calendar - all this, he asserts, is simply "incomprehensible when measured by the objective standard of strict suitability for a purpose."[2 Ibid., pp. 95-96.] For the liturgy, in quite the same way as a child's play, has no purpose. "The child, when it plays," says Msgr. Guardini, "does not aim at anything. It has no purpose. It does not want to do anything but to exercise its youthful powers, [to] pour forth its life in an aimless series of movements, words and actions all of which is purposeless, but full of meaning nevertheless. That is what play means; it is life, pouring itself forth without an aim ...."[3 Ibid., pp. 98-99.] And, similarly, the liturgy "speaks measuredly and melodiously employs formal, rhythmic gestures ... is clothed in colours and garments foreign to everyday life ... is carried out in places and at hours which have been co-ordinated and systematised. ... It is in the highest sense the life of a child, in which everything is picture, melody and song."[Ibid., pp. 101-102.] It is a pouring forth of "the sacred, God-given life of the soul":[5 Ibid., p. 104.] it is a kind of holy play in which the soul, with utter abandon, learns how „to waste time for the sake of God.“[6 Ibid., p. 106.] The liturgy is, in short – and Msgr. Guardini is aware of the implication here – the liturgy is, in short, a form of art.“

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Rezensionen zu: Deutscher Psalter (1950)

• [1963-000] Johannes Aengenwoort: Probleme der deutschen Psalmodie, in: Liturgisches Jahrbuch, Trier, 13, 1963, S. 108-114 (Deutscher Psalter) [Mercker 2191] - [Artikel] - [noch nicht online]
• [1963-000] Alfons Hufnagel: Rezension zu: Guardini, Deutscher Psalter, in: Münchener Katholische Kirchenzeitung, 1963, 2. September [Mercker 3170] - [Rezension] - [noch nicht online]
• [1963-000] Psalmengebetbuch (Rezension zu: Guardini, Deutscher Psalter), in: Klerusblatt, München, 43, 1963, S. 290 [Mercker 3201] - [Rezension] - [noch nicht online]

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Rezensionen zu: Weisheit der Psalmen (1963)

• [1963-000] Leon von Kukowski: Rezension zu: Guardini, Weisheit der Psalmen, in: Klerusblatt, München, 43, 1963, 14 (15. Juli), S. 290 [Gerner 401] - [Rezension] - [noch nicht on-line]
• [1963-000] Rezension zu: Guardini, Weisheit der Psalmen, in: Literarischer Ratgeber, München/Würzburg/Heidelberg, 50, 1963/64, S. 119 [Gerner 401] - [Rezension] - [noch nicht online]

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